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SONY F55

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drone filming Remote Aerial Filming UK -SONY F55 CINE ALTA remote aerial filming uk shotover u1 shotover hire drone filming UHD 4K cinema drone rental europe
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Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K.

The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor, incorporating a revolutionary electronic global shutter to eliminate rolling shutter distortions. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM media.

Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5.

Lightweight modular design to maximise versatility in 2D and 3D.

The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting.

Super 35mm equivalent 4K single-chip CMOS sensor with global shutter

The PMW-F55’s Sony 4K image sensor incorporates a revolutionary electronic global shutter to eliminate rolling shutter distortions. With 11.6 megapixels (total) and 8.9 megapixels (effective), the Sony 4K CMOS sensor captures a true 4K 4096 x 2160 DCI-standard cinema image.

16-bit RAW 2K/4K recording options with bolt-on AXS-R5 recorder

Capture RAW at your choice of resolutions: the camera’s native 4K or beautiful, derived 2K. RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate. Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Colour Encoding System (ACES) workflow.

AXS-R5 records onto ASXM memory cards

The bolt-on AXS-R5 recorder records onto sleek, high-capacity AXSM memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings.

Choice of HD/2K/4K internal recording formats

The F55 CineAlta camera allows you a choice of internal recording formats in addition to 16-bit RAW 2K/4K recording output onto the AXS-R5. The camera incorporates high-speed SxS PRO+ memory card recording that allows the choice of: 8-bit MPEG-2 HD422, 50Mbps; 10-bit XAVC 2K*/HD 100Mbps; SR Codec 10-bit MPEG4 SStP 220, 440 and 880Mbps*; and XAVC 4K/QFHD* 300Mbps. All formats can be recorded at a range of interlace and progressive frame rates (see camera specifications for precise details).

High speed shooting up to 60 fps 4K and180 fps 2K internally and 240 fps 2KRAW with optional AXS-R5 recorder

The F55 features high-data-rate on-board XAVC HDrecordings up to 60 fps, plus a free planned upgrade to XAVC 4K, QFHD and 2Kup to 60 fps and XAVC 2K/HD up to180 fps. It also offers 240 fps 2K RAW with the optional AXS-R5 outboard recorder and a planned upgrade, achieving the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality.

Next generation high-speed SxS PRO+ memory card

The F55 records internally onto SxS memory. High-speed shooting and the highest quality recording options require next-generation SxS recording media – Sony’s 64 GB* SxS PRO+ memory card – which can be read by the next-generation USB card reader, the SBAC-US20.

* 1 GB equals one billion bytes, a portion of which is used for data management functions.

Simultaneous RAW and onboard camera SxS recording

Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording to internal SxS cards and the optional AXS-R5 RAW recorder. For seamless conforming in post, you get matching time code, start frame, stop frame, file names and other metadata. The camera supports the following RAW + Onboard combinations: RAW 4K/2K + XAVC 2K*/HD, RAW 4K/2K + MPEG-2 HD422 and RAW 2K + XAVC QFHD*/4K.

Real world workflows

Sony understands a fundamental truth: working cameras require practical workflows. That’s why the F5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools.

Vast exposure latitude to 14 f-stops

The ability to render tones from deepest shadows to brightest highlights is a crucial test of any digital camera. The F55 excels, with an impressive 14 stops of exposure latitude, extraordinary low-light sensitivity and extremely low noise in the blacks.

True colour technology

Sony believes that your camera should not limit your colour palette. That is why the F55 incorporates the same advanced colour filter array technology as used in Sony’s flagship F65, which is equipped with the industry’s only 8K sensor. You get a colour gamut that’s not only wider than other digital cameras.It is even wider than motion picture print film.

Real-time 4K output and other vital connections

The camera offers powerful connections, including real-time 4K output to a compatible monitor. It is made possible by four 3G-SDI outputs. There is also HDMI, USB, DC in connection, a removable XLR audio module and a removable time code/genlock module.

Imaging Device (Type)Super 35mm equivalent Single-chip CMOS with Global Shutter
Imaging Device (Pixel Count)11.6 M (total), 8.9 M (effective)
Built-in FiltersClear, 0.9 (1/8ND), 1.8 (1/64ND)
Sensitivity (2000 lx, 89.9% reflectance)Video Gamma: T11@24p (3200K light source)
ISO SensitivityS-Log2 Gamma: ISO 1250 (D55 Light source)
Lens MountPL mount (with supplied lens mount adapter)
Flange Focal LengthFZ mount (without supplied lens mount adapter)
Latitude14-stop
S/N Ratio57dB (Video Gamma, 24p, Noise Suppression OFF)
Shutter Speed1/24s to 1/6,000s
Shutter Angle4.2to 360(electrical shutter)
Slow Shutter (SLS)2, 3, 4, 5, 6, 7, and 8-frame accumulation
Slow & Quick Motion FunctionXAVC 4K/QFHD: 1-60p (NTSC)
XAVC 4K/QFHD: 1-50p (PAL)
XAVC HD/2K: 1-180p (NTSC), 23.98p/29.97p w/ Option
XAVC HD/2K: 1-150p (PAL), 25p w/ Option
XAVC HD: 1-60p (NTSC)
XAVC HD: 1-50p (PAL)
White BalancePreset (3200K, 4300K, 5500K), Memory, ATW
Gain-3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma CurveStandard (x6)
HG1, HG2, HG3, HG4, HG7 and HG8
S-Log2 Gamma
Audio InputCH-1/CH-2: XLR-type 3-pin (female) (x2), Line/Mic/Mic +48V/AES/EBU selectable
Video OutputHD-Y or HD Sync (tri-level) V1.0
Analog Composite (VUP)
Audio OutputPhono jack (CH-1, CH-2)
DC Output4-pin (x1), 11 V to 17 V DC (MAX 2.0A) w/ battery adapter
HD-SDI OutputHD mode: SDI 1/2 Line Output, SDI 3/4 Monitor Output (character on/off)
4K mode: SDI 1/2/3/4 Line Output (character on/off), HD-SDI/3G-SDI switchable
Timecode Input/OutputTC IN/OUT (x1) switchable
Genlock InputBNC (x1)
Remote8-pin (x1)
HDMI OutputA Type (x1)
USBUSB device, Mini-B (x1)
USB host, type-A (x1)
Headphone OutputStereo mini jack (x1)
Speaker OutputMonaural
ShutterBNC (x1)
Wi-FiUSB host, type-A (x1)
Media TypeExpressCard/34 slot (x2)
SD card slot (x1)
Recording Format (Video)MPEG-2 Long GOP
HD 422 mode: CBR, 50 Mbps max, MPEG-2 422P@HL
Recording Format (Audio)Linear PCM (2 ch, 24-bit, 48-kHz)
Recording Frame RateXAVC 4K: 4096 x 2160, 23.98p/25p/29.97p/50p/59.94p
XAVC QFHD: 3840 x 2160, 23.98p/25p/29.97p/50p/59.94p
XAVC 2K: 2048 x 1920, 23.98p/24p/25p/29.97p/50p/59.94p
XAVC HD: 1920×1080, 23.98p/25p/29.97p/50p/59.94p
MPEG4 SStP: 1920 x 1080, 23.98p/24p/25p/29.97p
MPEG2 HD: 1920×1080, 50i/59.94i/23.98p/25p/29.97p
MPEG2 HD: 1280 x 720, 50p/59.94p
Battery Operating TimeApprox. 150 min with BP-FL75
Approx. 210 min with BP-GL95A
Power RequirementsDC 12 V (11 V to 17.0 V)
Power ConsumptionApprox. 25 W (while recording XAVC 4K 60p, EVF Off, LCD monitor Off, 4K SDI On)
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