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PANASONIC VARICAM LT

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The Cinematic VariCam Look in Your Hands

The Cinema VariCam LT features outstanding image quality that allows you to achieve your “VISION”. The advanced grading tools, in-camera dailies and proxy recording capabilities that are built into the VariCam LT are a “REVOLUTION” in streamlining workflow.

Compact Size, Light Weight and Top Cinema Quality — The VariCam LT!

The Cinema VariCam LT features outstanding image quality that allows you to achieve your “VISION”. The advanced grading tools, in-camera dailies and proxy recording capabilities that are built into the VariCam LT are a “REVOLUTION” in streamlining workflow.

The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive colour gamut, and high sensitivity for 4K image acquisition. It has dual native ISO settings of 800 and 5000. The native 5000 ISO allows for clean shooting in very low light situations. Its size and design facilitate a wide array of shooting styles including comfortable ergonomic shoulder mounted operation or use on gimbals and drones.

One new feature that has been added to the VariCam LT is the EF lens*1 mount which offers a wide array of lens choices. The EF mount*1 can be removed by an end user and replaced with a PL mount (optional). This allows for even greater versatility in lens selection when shooting with the VariCam LT. The VariCam LT workflow is very similar to that of the VariCam 35. Both cameras have a dual codec recording function that allows the user to record a primary or “main” codec as well as a smaller proxy file. In addition, each camera offers an in-camera colour grading function and support for AVC-Intra 4K and Apple ProRes*2 codecs.

Same Imager as VariCam 35

The VariCam LT is equipped with the super 35mm single-chip MOS sensor developed especially for the VariCam 35. It offers 4K (4096 x 2160) and UHD (3840 x 2160) resolution, and boasts high sensitivity, low noise, wide dynamic range and cinematic depth of field. This sensor received The Hollywood Post Alliance Engineering Excellence Award 2015.

14+ Stops of Wide Latitude

The camera has a dynamic range of 14+ stops. This wide dynamic range assures accurate image rendering over the entire image, from dark areas to highlights. Even in very dimly lit scenes, which are particularly important in movie production, the VariCam LT provides low-noise images without any compromise in picture quality. “V-Log” is capable of creating the 14+ stops of dynamic range offered by the VariCam LT image sensor, greatly enhancing look creation capability.

Dual Native ISO of 800/5000

The VariCam LT has two native ISO settings: 800 and 5000. This means the VariCam LT achieves very high sensitivity while maintaining a low noise level at 5000 ISO. The noise level at 5000 ISO is nearly identical to that seen at 800 ISO. In order to achieve this function two dedicated analogue circuits are implemented on every pixel of the imager of the the VariCam LT for each native ISO before gain processing. This allows the camera to achieve much higher sensitivity without increased noise. Normally noise is introduced in the gain process of rating ISO in digital cameras. This functionality is revolutionary for low light scene shooting. Especially this ISO 5000 enable to capture under the natural light keeping the mood making more realistic.

Expansive Colour Gamut

The VariCam LT is equipped with “V-Gamut,” giving it a wider colour gamut than that of film. V-Gamut also encompasses the entire BT. 2020 colour space.

Scene Files and V-LOOK

The “V-Log” gamma curve offers 14+ stops of dynamic range and facilitates advanced colour grading adjustments in post production. The five position scene file function is new to the VariCam LT. The VariCam-LOOK (V-LOOK) mode is a newly developed setting for creating cinematic images without colour grading. A newly designed gamma curve that allows detail to be maintained over a greater tonal range within the Rec 709 colour space has also been included in the VariCam LT. The “V-709” gamma setting provides a tone suitable for viewing on standard monitors while the “BC-LOOK” creates a look that mimics traditional TV broadcast images.

Monitoring Output Terminals

The VariCam LT provides down conversion to Full HD via two 3G HD SDI outputs and one VF output (BNC) while shooting in 4K. Your look with in-camera colour grading and information overlay can be applied to each output.

Varicam LT 4K camera head

Compact Size, Light Weight and Top Cinema Quality — The VariCam LT!

Same Imager as VariCam 35

14+ Stops of Wide Latitude

Dual Native ISO of 800/5000

Expansive Colour Gamut

Scene Files and V-LOOK

Monitoring Output Terminals

Native 4K/60p Shooting

2K/HD 240p Slow Motion

Infrared Shooting (IR)

Detachable Control Panel with Monitor

Standard HD-SDI Interface for EVF

Multiple Codec 4K/UHD/2K/HD Recording

In-camera Colour Grading

Main and Proxy Recording

Basic Specification

Power Consumption 47 W (body only)

77 W (with all optional accessories connected and maximum power supplied from each output terminal)

Weight Approx. 2.7 kg/5.95 lb (body only)

Dimensions (W x H x D) 184 mm x 230.5 mm x 247 mm

(7-1/4 inches x 9-1/8 inches x 9-3/4 inches)

(Body only, excluding protrusion)

Optical Block

Sensor S35 mm 1MOS (same as V35)

Lens Mount EF mount*1 (PL mount option)

Optical Filter ND filters: CLEAR/0.6/1.2/1.8

IR cut filter removable

Media Slot and Connector

Media Slot expressP2 Card Slot x 1

SD Card Slot x1 for Proxy/Meta Data

Connector 3G-SDI OUT x3 (SDI OUT 1/ SDI OUT2/VF SDI)

Genlock IN

TC IN/OUT

LAN

USB HOST (for Network Connect)

USB DEVICE (miniB)

XLR 5 pin x1, XLR 3 pin x2

DC OUT 4 pin Hirose x2

Lens/Grip Connector 12 pin

12 V DC-IN 4 pin

Head Phone x1 3.5 mm Stereo Mini Jack

Video Format (MAIN)

4096 x 2160 59.94p, 29.97p, 24p, 23.98p, 50p, 25p

3840 x 2160 59.94p, 29.97p, 23.98p, 50p, 25p

2048 x 1080 59.94p, 29.97p, 24p, 23.98p, 50p, 25p

1920 x 1080 59.94p, 29.97p, 23.98p, 50p, 25p 59.94i, 50i

Rec Format

4K/UHD AVC-Intra 4K422: up to 30p

AVC-Intra 4K-LT: 30p to 60p

2K AVC-Intra 2K444: up to 30p

AVC-Intra 2K422: up to 60p, up to 120p (cropped)

AVC-Intra 2K-LT: 120p to 240p (cropped)

HD AVC-Intra444: up to 30p

AVC-Intra422: up to 60p, up to 120p (cropped)

AVC-Intra100: 50i/59.94i

AVC-IntraLT: 120p to 240p (cropped)

ProRes 4444:*2 up to 30p

ProRes 422HQ:*2 up to 60p

Proxy AVC-Proxy G6: up to 60p

Audio Format

MAIN 4ch 48 kHz/24 bit LPCM

Proxy G6 2ch 48 kHz/16 bit AAC

Camera Function

V-Log/preset Scene File x5

1) V-Log Mode MAIN Color = V-Log, Proxy Color = V-Log/V-709/Grading

2) Preset Scene File Mode always MAIN Color = Proxy Color Image Preset with Scene files

Parameters Image control parameters (only in preset Scene File mode)

– WHITE

– BLACK

– GAMMA

– KNEE

– WHITE CLIP

– DETAIL (Not available in AVCI 4K-LT, 2K-LT)

– SKIN DETAIL (Not available in AVCI 4K-LT, 2K-LT)

– CHROMA

– MATRIX

– COLOR CORRECTION

ISO Native 800/5000 push up/down

WB 2000 K to 15000 K, GMg -10 to +10

SHUTTER deg & /s, synchro scan

FPS 4096/3840: up to 60p (Full Frame)

2048/1920: up to 60p (Full Frame)

2048/1920: up to 240p (Cropped)

Other Function

Focus Assist Expand (x2, x3, x4, 9 positions)

Focus in Color (RED/WHITE/GREEN)

Focus Squares

EI assist Zebra/WFM/FALSE COLOR/Y-GET

Anamorphic Lens Desqueeze

Lens Meta Data EF, LDS, Cooke/i, B4 lens

Special REC function PreRec / Interval rec / One Shot Rec

Built-in GPS

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