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ARRI MASTER | ARRI MASTER ANAMORPHIC | ZEISS ULTRA

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The Master Prime Lenses finally realized a cinematographer’s dream: lenses that are both fast and have an optical performance surpassing that of all standard speed primes. The Master Prime Lenses open up new creative opportunities, making shots possible that would have been considered impossible before.

Main Features
16 high speed prime lenses (T1.3)
12 – 150 mm
Higher resolution & contrast
No geometric distortion
Dramatically reduced flare
Virtually no breathing

Dual Floating Elements
A single floating element is good for improving close focusing but with the unwanted side effect of “breathing” – an effect whereby image size changes during focusing. However, with two floating lens elements, the benefits of close focusign are utilised without breathing effects.

T* Coating
Uses an improved T* XP anti-reflex coating, strategically painted lens rims and special light traps. The result is unsurpassed resolution, high contrast and low veiling glare.

Other Features
Low edge darkening
No visible geometric distortion
Super Colour Matched
Cam Controlled Focusing
Supplied with a set of apochromatic diopter close-up lenses

Focal Lengths Available
12mm / T1.3
14mm / T1.3
16mm / T1.3
18mm / T1.3
21mm / T1.3
25mm / T1.3
27mm / T1.3
32mm / T1.3
35mm / T1.3
40mm / T1.3
50mm / T1.3
65mm / T1.3
75mm / T1.3
100mm / T1.3
135mm / T1.3
150mm / T1.3

A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras.

For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.

Main Features
Low distortion for uncompromised Cinemascope
Cinematic bokeh with high contrast and nice focus fall-off
Beautiful skin tones and precise color rendition
Characteristic out-of-focus highlights
Large image field for full freedom in composition
Large aperture of T1.9 for shallow depth of field
Super color matched to other ARRI/ZEISS primes and ARRI/FUJINON zooms
ARRI Lens Data System (LDS) for lens metadata

Focal Lengths Available
35mm / T1.9
40mm / T1.9
50mm / T1.9
60mm / T1.9
75mm / T1.9
100mm / T1.9
135mm / T1.9

Ultra Prime Lenses have the widest focal range of any prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.

Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.

Main Features
15 modern high performance prime lenses (T.1.9)
Widest focal length range: 8 – 180 mm
Ultra Prime 8R – extreme wide angle lens
Ultra Prime 180 the best cinema telephoto prime
Superior close focus ability

Focal Lengths Available
8mm / T2.8
12mm / T2
14mm / T1.9
16mm / T1.9
20mm / T1.9
24mm / T1.9
28mm / T1.9
32mm / T1.9
40mm / T1.9
50mm / T1.9
65mm / T1.9
85mm / T1.9
100mm / T1.9
135mm / T1.9
180mm / T1.9

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